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A few years after this photo was taken, Kendrick, aged just five, would witness a teenage drug dealer gunned down before his eyes, and the year before, he’d seen mass rioting in the streets following the infamous attack on Rodney King by LAPD officers. In an interesting visual twist, the eyes of these other figures are blacked out with identity-obscuring oblongs, while the toddler-who you’d expect to be the protected party here-stares into the lens. Moore’s excellent new biography The Butterfly Effect: How Kendrick Lamar Ignited The Soul Of Black America, that is indeed Lamar in diminutive form, with two teenage uncles and his grandfather sitting to his left. Kendrick Lamar, good kid, m.A.A.d cityĮxhibit one, for the initial 12-track release, is a picture we’re to assume is of the baby Kendrick surrounded by three older figures who may be relatives. While personal to the artist, these pictures from the early ’90s have a familiarity to the beholder too, even if they’re not our own memories. It’s a cinematic roman-à-clef that comes at you out of sequence-memory isn’t linear, after all-and the two photographs chosen for two editions of the album conjure up different but connected memories from the immediate past: one is a family scene from a kitchen, and the other, a van sitting in the driveway of Lamar’s old house. The cover art meanwhile provides two stories, perhaps offering us a glimpse into an alternative future. Kendrick Lamar’s major label debut tells the story of a kid growing up in Compton, Los Angeles, circumnavigating the pitfalls of gang life, whether by accident or design. “I’m about to put them both together and give you the whole Q.In 2012, good kid, m.A.A.d city brought hip hop’s finest new storyteller to the attention of the masses. “I’m going to give them the whole Q,” ScHoolboy Q tells The Juice. ScHoolboy Q plans to give his “input” on Kendrick’s album but his sole focus is his own yet-to-be titled debut album (2012), which he is three records in. Sometimes its best to feel the energy first before you go in the lab with a person.”įor his yet-to-be titled project (2012) (not titled “Good Kid in a Mad City as rumored), Kendrick plans to go off the vibe from his last projects and keep it local as far as collaborations, “I’m just sticking with a niche that’s been working for me.”
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While visiting NYC this past week, Kendrick met up with Q-Tip. To hear all the music that he’s making and reminisce all the music that I love to listen to, he’s making it right in front of me now is a crazy feeling,” Kendrick said. Just by off the vibin’ creating from scratch. “He’s one of the producers that pulls out his keyboard and pulls up the session and make a crazy beat right front of you.” He still got that hunger,” Kendrick Lamar told The Juice. “Pharrell really does this music like this is his first time in the studio. Kendrick has been seen in the studio with the legendary Dr.
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While continuing to promote their projects, both Kendrick and ScHoolboy Q are in the studio working on new albums. ScHoolboy Q’s most recent project, “Habits and Contradictions,” debuted on Jan.